Sometimes an Androgyne is Just an Androgyne/Jane Seymour, Orson Krennic, & Inigo Montoya Walk Into a Mansion ...

I was a disembodied entity travelling through a living cityscape straight out of an M. C. Escher print.

Inhabiting this cityscape were mouthless, legless semi-humanoid beings which somewhat resembled the robot from the Looney Tunes short Robot Rabbit.

Playing through the air was music I can only describe as "synthwave jazz".

Then I found myself within an infinite corridor similar to the one from Escher's Another World (Other World Gallery).

In each partition of the corridor were two persons — one unique individual, each with their own particular neurosis, and one identical matronly woman in horn-rimmed glasses discussing Freudian/Jungian psychology. I found myself in the "alpha chamber", the only chamber with three walls; on that wall behind me hung a poster with a pictographic representation of an infinite corridor. I was inhabiting the body of a bald, ugly, stoop-shouldered man with an irresistible compulsion to kiss the hand of every woman he came across. After he/I forcibly kissed the hand of my matron, she showed him/me a card. On the card was a drawing of an androgyne. Unable to process the male/female aspects of the drawing, he/I froze, incapable of any action.

The dream probably would've continued, but I was rudely awakened. 😦

* * *

I was in a forest. My sister gave me a marijuana brownie. After eating it, I quickly grew anxious, as she'd made it with sativa. After telling her she should cultivate some indica strains, I wandered off into the woods with my girlfriend, Jane.

(Literally Jane Seymour)

We were both wearing 19th century clothing; she had on a heavy dress with a bonnet, me a black suit with a string tie. I hugged her close to me as we walked through the woods together, all lovey-dovey.

We soon emerged in a clearing, where we found a prodigious white Antebellum mansion.

We went inside. The interior was entirely pristine, completely uninhabited.

As we prepared to settle down in our new home, we went to the open front door and peered outside. Coming towards us was Orson Krennic, with him a mob of ornery white Southerners.

They swarmed into the house before we could get away, apprehending us. I believe they fully intended on lynching us. Before they could, Inigo Montoya came to our aid, running one of the blackguards through on his sword.

I really wish I remembered how the dream ended. Jane and I escaped, at any rate.

Limited Flexibility/Who's That Homeless Man Goose-Stepping Across My Mother's Bed?/Tales of Mystery and Imagination: Deluxe Edition/So I Grabbed Dina Meyer's Sweet Can

The following's a fragment of a larger dream I no longer remember.

I met a girl. She was big — tall, taller than I, and voluptuous.

(With a huge, round pussy.)

Unfortunately for me, she was homosexual/homoflexible.

(She was using deliberately obscurant metaphors, so I couldn't figure out which.)

In either case, her attraction to the opposite sex was marginal and her attraction to me nonexistent.

* * *

This dream was incredibly short. It lasted fifteen seconds at most.

My mother and I were standing at our kitchen window, looking outside. That's when we saw a homeless man cut across our front yard. He resembled a young(er) Harry Dean Stanton, wore a red-&-white baseball cap over longish hair, and was pushing a shopping cart, goose-stepping all the while. She and I exchanged glances; she was mortified/bewildered by this man's presence and desperately wanted to know who he was. Then we both turned to the living room. The man was suddenly there; he goose-stepped across her bed, air-gripping the handles of the shopping cart he no longer had.

* * *

I bought/received/found a copy of The Alan Parsons Project's Tales of Mystery and Imagination on vinyl.

It was a deluxe edition which included three records.

* * *

The following's a fragment of a larger dream I no longer remember.

I was in a buffet, helping myself to eight slices of toasted French bread — four with just butter, four with dark plum jam. Beside me in the line was a young Dina Meyer.

She let me grab her sweet can.

4th Anniversary Special!

Today is the fourth anniversary of Dreams of a Randy Git-Fiend's existence. I neglected posting the last three anniversaries, so this one's been a long time coming, Luckily, I have a nice, full dream to report.

* * *

I struck up a conversation with a girl I had just met. She wore blue jeans and a pale gray t-shirt with dark red lettering on the front. She was quite lovely, a couple years older than I, with long waist-length black/dark brown hair.

(She looked quite a bit like Crystal Gayle, though her eyebrows weren't quite so arched and her eyes a less intense blue.)

She was new in town, and she inquired about good colleges/universities in the area. Sheepish, I admitted I had no post-secondary education and so wasn't the most knowledgeable on the subject. She smiled and told me I was cute. I was touched, as no girl has ever complimented me on my looks.

At some point in the dream, I was either playing Star Fox on the SNES or was physically in the game. Either way, a variant of the "Out of this Dimension" stage was involved.

At another point in the dream, I was in the auditorium of a local college/university. Seated on the stage were two girls. One was a very tall, broad-shouldered, quite attractive redhead who wore her hair up. Beside her was a shorter, more slender blonde who wore her frizzy hair loose. I recognized both as students from my high school, both in grades higher than mine, who I was familiar with but had never actually been introduced to.

I was walking home when I came across a pack of apes and ape/dog hybrids who were smuggling loaves of bread. They attacked, latching onto and biting me.

 (The bites were painful, though they didn't manage to break the skin.)

As I lurched through the doorstep of my home, I found my parents entertaining guests, who just so happened to be the masters of these animals. Using a combination of whistles and sign language, they tried calling them off, to not effect. I soon freed myself of the brutes. One of the guests apologized for the creatures' behaviour. In a foul mood, I basically told him to go fuck himself.

As this was going down, Jordan Peterson was present, holding a lecture in my home. Still surly, of no mind to passively absorb his reactionary tripe, I essentially called him a double-talkin' jive motherfucker. Insulted, he left.

Mommy, Would You Like Some Sausage?/There Will Be Mermaids

A confession: I don't know how much longer this blog will continue. With my father's death, my mother's chronic hospitalization, my sister's breakup with her boyfriend, four months with a terrible roommate, and ongoing financial difficulties, 2019 was a terrible year for me. My ability to recall dreams has gone to shit this past year, no doubt due to all this stress. It's been over a month since I last recalled a dream in any detail, and even then it was hazy.

What follows are the last dreams I've had worth sharing. Unless my dream recollection improves, they may be the last ones you'll get to read for a long while.

* * *

I was standing in a room with a woman. The white walls were empty, blank save for blue light which created a gradient effect upon them. The woman was a lovely brunette, with long hair which trailed down her back. She was wearing a gray bathrobe. Loosening her robe, she let it down about her shoulders, exposing them to me. Leaning in close, I began kissing her graceful back and shoulders, slowly, tenderly.

Then I was suddenly in my basement. A man I didn't recognize was putting a damp, sausage-shaped pillow up on a line to dry. He told me the pillow represented loneliness and longing.

* * *

What follows is a fragment from a larger dream which, true to my luck, is mostly a blur now.

I was watching a deleted scene from There Will Be Blood. Daniel Plainview had sent his son, H. W., down into a great deep lake without diving gear to build his lung capacity. At the bottom of the lake was a submerged palace. While exploring inside, the kid encountered a mermaid. She was about his age, friendly, with black hair and a pretty smile. I think she had dark brown, almost black eyes and webbed hands, but I may be misremembering.

Swedish Tongue/Back to the Dead/Burtonverse: The Special Edition

It was the '60s and I was in Sweden, on the set of a movie being filmed by Ingmar Bergman. I'd been hired as an extra, but due to an actor's absence, I was promoted to bit player. I was to deliver my lines in Swedish, but not being fluent in the language, I had to recite them phonetically; I flubbed them badly.

On the plus side, Bibi Andersson and I shared a mutual attraction; we spent the whole time flirting and consulting a Swedish-English dictionary to bolster my understanding of her tongue.

*swoon*

* * *

In the near-future, the end times came upon us. The human birth rate had fallen to zero and the souls of the dead were no longer permitted to pass into the afterlife; they remained tethered to their decaying bodies, intelligent zombies which maintained an uneasy, sometimes hostile co-existence with the living population.

Marty McFly had developed an addiction to pizza; he ate multiple slices of pizza multiple times a day every day until he became obese, died of heart disease, and came back a zombie.

He continued eating pizza — old, dry, mouldy pizza topped with human skin.

* * *

Dreamt that I watched alternate cuts of the Tim Burton Batfilms which had been re-edited to better conform with the Schumacher films. Not only had a mention of the Riddler been inserted in Batman '89, but a new scene with Dick Grayson had been placed in Batman Returns; he was Vicki Vale's new boyfriend, and he was shown driving a shape-changing holographic car.

The dream ended on a mortifying note. In a Returns post-credits scene, the soul of the Penguin — reduced back to infancy, back in his gothic baby carriage — was sailing down the River Styx. As his androgynous soul made its voyage along those brown waters, the disembodied spectral head of Tim Curry materialized over it.

Looming large over the carriage, Tim Curry's disembodied head metamorphosed into the disembodied head of Pennywise the Clown, complete with large, burning red eyes. Looking directly at the viewer, me, he showed a ghastly grin of sharpened teeth. For several seconds I had no choice but to stare back into those hideous eyes before I forced myself awake.

A Nightmare on Shanks Road

It was the early 1980s and I met Heather Langenkamp/Nancy Thompson.

The dream proper was preceded by this random bit where I was chasing after a faux Heave-Ho.

Unlike a real Heave-Ho, it had two smaller, separate platforms which operated side-by-side rather than a single larger platform, and it was not built strong enough to flip Mario-sized objects. Even though it wasn't capable of launching me into the air, the thing remained dangerous to come into proximity to, so I was cautious in apprehending it. Once I got my grubby little hands on the mechanical bastard, it became a miniature Audrey II and started singing. As I offered it my thumb to suck from, I immediately found myself watching a videotape of Little Shop of Horrors, recording a copy in EP mode as it played.

Suddenly I found myself in the '80s. I don't know if I travelled back in time or this was a universe where I was a baby boomer — the dream was vague in this regard — but there I was, in my late teens, having just watched A Nightmare on Elm Street on the big screen, emerging from the cinema only to meet Heather/Nancy and Johnny Depp/Glen Lantz as they were also coming from watching the movie. Though I said we had all just watched ANOES, it wasn't 1984; Heather/Nancy was still in high school — about 16/17 years old — so the year was 1980/81. Also, though the two had starred together in the movie, Heather/Nancy & Johnny/Glen acted like they didn't know each other and had only now just met for the first time.

As the three of us stood out there, making our acquaintance, I tried my damnedest to keep Heather/Nancy from forming an attraction to Johnny/Glen, striving to get her interested in me instead. It seemed to have worked to some degree, 'cause I soon found myself hanging out with Heather/Nancy and her girlfriends with Johnny/Glen nowhere is sight.

A rusted can of pop and a woman's magazine in hand, one of Heather/Nancy's friends read out a list of the attributes Heather/Nancy found most desirable in a man. From the way she spoke and the combination of words she used, the girl sounded like she was singing the lyrics to a Bruce Springsteen song. I can't precisely remember the lyrics, but there was a line in there going something like "Together, we are drawn to things which will/won't burn us."

Then I woke up.

(I think Wes Craven would've been proud of this dream.)

No Soap for You

This dream was set in a Soylent Green-type near future, after the Americas had devolved into Third World countries, where hoarding soap was illegal.

The Mask

got into a fight with a supervillain who resembled Billy Idol.

They unleashed nuclear attacks upon each other, but as they were both essentially omnipotent, they weren’t able to inflict injury on one another.

Then faux Billy became a chrome-sheathed villain with no face.

Every superhero from the MCU confronted Chrome No-Face and crucified him to a crystal objet d’art, reciting a prayer as they did so. I thought to myself the prayer was too exclusively Judeo-Christian for the more syncretic orientation of the Marvel Universe.

I was then inside a dilapidated office building.

While actual office work went on inside some of the rooms, in most people were just partying and engaging in substance abuse and illicit sex.

I was striding room-to-room, lip-syncing to the Nine Inch Nails song “The Hand That Feeds” which was loudly playing from some nebulous source. While doing this, I came across a woman who resembled Tori Amos. I took her by the shoulders, lifted her to eye level, then kissed her succulent lips.

What a Story, Mark/Last Priest of Krypton/Brunette Bonanza/Apple Binldings/Tuning In Tuning On

I had a dream I told my mother and sister about 

They both got a kick out of my descriptions of the plot and Tommy Wiseau’s persona. I know in real life, though, they’d never be able to enjoy The Room; “so bad it’s good” is a concept utterly foreign to them.

* * *

Superman was an ordained Catholic priest.

He took a demonically possessed teenage girl (who may or may not have been my sister) to a cold, dark, abandoned church with broken doors to perform an exorcism. During the exorcism, the demon periodically hopped in-&-out of Superman's body, using his great powers to wreck havoc across the land.

* * *

I met both Heather Langenkamp and Brooke Shields at a convention.

My reaction was thus.

* * *

In my hometown, on the waterfront of the lake closest to me, were buildings constructed from old apple bins

which had been arranged/stacked together then bolted in place.

* * *

I was watching/inside some Kim Wilde music videos. At least one of these videos had been shot in my hometown. In this particular video, Ms. Wilde walked backward through town, from the lake to the highway. As this was happening, the seasons were passing in reverse, from summer through to winter.

During the dream, I caught some of the lyrics; they weren’t bad, but could’ve used some polishing.

(I forgot them soon after I awoke.)

Outside the video, Ms. Wilde and I met up in a local thrift store. We made chit-chat in front of a small shelf bearing gaudy, ugly clothing.

Swing on This/Bart Simpson: Husband, Father, Neither/Cat Baby

I had a dream I was Jerry Cantrell. It was the mid '90s, and Layne Staley and I were writing a song together about hatred for neighbours.

During the writing process, we both realized we had to incorporate a famous Hollywood starlet into the song’s narrative. Charlie Sheen was there. He suggested an obscure actress from the Golden Age of Hollywood. We decided the actress had to be both young and contemporary, so we didn’t run with his suggestion. We ended up choosing Denise Richards.

I recall the first few lines of that stanza:

🎵Denise Richards lives next door to me. Looking sweet and pretty as can be.🎵

Essentially, the stanza was about the narrator realizing he hated Denise Richards 'cause she was a neighbour, too.

As we were finishing the song, Staley offered this as the closing line: “No singing, just a hum.” There was actually a bit more to the line than that, but by that point, I had run out of fresh pages in the notebook I was writing in and my OCD wouldn’t allow me to jot the line down on a page with even a minimum of writing on it. Once I finally found a clean page, I asked Staley to recite the line again, since I'd forgotten the extra bits, but he was too far into a heroin-induced delirium to care anymore.

* * *

A grown up Bart Simpson fell in love with a green-haired Allison Taylor.

After they were married and a daughter followed, wife (and possibly daughter) were murdered by gangsters and/or a fallen angel. Bart then took to the bottle pretty hard and became a drunken souse.

* * *

I had a child, a baby girl. The mother was nowhere to be found, so I gave her to some cats to nurse.

The cat milk had a mutagenic effect on the child; she developed cat-like ears and black fur over her body.

I didn’t mind having a cat-person for a daughter. I was just happy to be a father.

From the Dream Archives: Independence Day: The Series/D Dream #1/D Dream #2/D Dream #3/Jennifer Lawrence vs. My Family

(ORIGINAL ENTRY DATE: 9 OCTOBER 2016)

Had a dream that the powers-that-be made an Independence Day TV series.

(The weirdest thing about it was that Ripley from the Alien films and Ka D’Argo and his son, Jothee, from Farscape were all major characters in it.)

* * *

(ORIGINAL ENTRY DATE: 10 OCTOBER 2016)

Had more dreams about returning to high school and searching about for D without any success.

My subconscious sucks.

* * *

(ORIGINAL ENTRY DATE: 13 OCTOBER 2016)

Dreamt that I was dead, a ghost, trapped within the walls of a 17th century palace. D was there, as vibrant with life as ever, and I attempted communication with her, doing everything I could think to do to get her to notice me. Try as I might, she couldn’t/wouldn’t see/hear me.

My subconscious is an asshole.

* * *

(ORIGINAL ENTRY DATE: 15 OCTOBER 2016)

Finally had a dream which wasn’t depressing.

Trying to describe it isn’t all that easy. All I can say is that it was filled with imagery from my home town, permeated with a distinct '90s atmosphere, had locomotives, some posh-looking scientist who looked like a cross between the Monopoly guy and Col. Sanders, and was completely disjointed.

This is also the first dream I recall ever having that was anywhere near being a lucid dream. There was a point in the proceedings of the dream where everything became very realistic — the colours and textures took on an almost life-like quality — and I willed D to appear. I didn’t want her to appear as she has been appearing in my last couple dreams — largely unseen, distant, and afraid of me — but as someone who loved me and cared about me. So she appeared, a broad smile across her face, and we embraced.

* * *

(ORIGINAL ENTRY DATE: 21 OCTOBER 2016)

Dreamt that I was in a burgeoning yet troubled romance with Jennifer Lawrence.

For reasons unknown to me, Ms. Lawrence decided to leave her life as a successful and wealthy actress and move in with me and my family. Though we had lots of chemistry —

(We did lots of smooching and cuddling and talking.)

— having to suffer the overbearing crassness and ignorance of my father and sister was placing undue stress on her; she was all but ready to move out. This frightened me, 'cause if she left, I would be unable to go with her and would lose her forever.

The dream then came to an abrupt end with my father telling me to harvest two cucumbers, one of which had been partially devoured by, and covered in, yellow jackets.

Though it was bittersweet and went unresolved, this was one of the best dreams I’ve had in a while.